The Lucky Ones

The Lucky Ones
Publisher
Age Range
10+
Release Date
April 12, 2022
ISBN
978-1536222555
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It’s 1967, and eleven-year-old Ellis Earl Brown has big dreams. He’s going to grow up to be a teacher or a lawyer—or maybe both—and live in a big brick house in town. There’ll always be enough food in the icebox, and his mama won’t have to run herself ragged looking for work as a maid in order to support Ellis Earl and his eight siblings and niece, Vera. So Ellis Earl applies himself at school, soaking up the lessons that Mr. Foster teaches his class—particularly those about famous colored people like Mr. Thurgood Marshall and Miss Marian Wright—and borrowing books from his teacher’s bookshelf. When Mr. Foster presents him with a copy of Charlie and the Chocolate Factory, Ellis Earl is amazed to encounter a family that’s even worse off than his own—and is delighted by the Buckets’ very happy ending. But when Mama tells Ellis Earl that he might need to quit school to help support the family, he wonders if happy endings are only possible in storybooks. Around the historical touchstone of Robert Kennedy’s southern “poverty tour,” Linda Williams Jackson pulls from her own childhood in the Mississippi Delta to tell a detail-rich and poignant story with memorable characters, sure to resonate with readers who have ever felt constricted by their circumstances.

Editor reviews

2 reviews
Social Change in 1967
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5.0
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Life in rural Mississippi in 1967 is not easy for Ellis Earl Brown and his large family. His mother and three older brothers go out to look for work each day, since the father died in a tractor accident, but often his mother ends up helping another woman clean houses, which doesn't pay very much. His oldest sister, Jeannette, is only fourteen, but has to stay home and take care of the young children, who include a cousin whose mother has died, Oscar, who is a year older than Ellis Earl but doesn't go to school because he is constantly ill, and Carrie Ann, who does go to school. His oldest brother, Junior, is 22 and has four children of his own, with another on the way, so these children are staying in the three room house while their mother is in the hospital. There's barely enough food to go around, but Ellis Earl sometimes gets "leftovers" from his teacher, Mr. Foster, who also drives several of his students home in his station wagon so they don't have to walk long distances. The Brown's house is located in an area that often floods, so when there is a lot of rain, Ellis Earl can't get to school. He's a good student, and frequently brings home books to share with his sibings, since there isn't much for them to do at home. When Mr. Foster asks if Ellis Earl would like to read a verse at church, he is a bit reluctant. The family is Baptist, but doesn't go to church because they don't have anything to wear. Mr. Foster gets a new outfit for Ellis Earl, and his mother grudgingly allows him to attend the American Methodist Episcopal church. There's breakfast, and the speech goes over well, and Mr. Foster offers another opportunity-- Ellis Earl and four other students are invited to travel to the airport to help greet Robert Kenney and Marian Wright, who are undertaking a tour of the South to document the poverty in the area and to try to get information to support the Fair Housing Act and the spread of the food stamp program. The students have been reading news articles about Civil Rights and trying to understand what improvements could be made to their community, and Ellis Earl's best friend, Phillip, and another good student, Cora, are excited for the possibility. While racial tensions are high in the South, and the group is mistreated at a diner, the airport visit goes well. Later, the Browns are surprised when Kennedy and his entourage show up at their house to ask about their experiences. Mr. Foster further helps the family, by helping their small family singing group, the Brown Blues, get exposure, and connecting them with other members of the church who are able to help with housing.
Good Points
While many families are struggling with many insecurities, especially now, they are not quite as dire as the Depression-era feel of the Brown's poverty. I think it's good for young readers to understand that it is possible to survive with just one spare pair of underwear, and to see the lengths to which Ellis Earl is willing to sacrifice his own comfort to provide for his family. The importance of reading and education is made very clear, and the inclusion of Dahl's Charlie and the Chocolate Factory (Dahl, 1964) is an interesting one. I also appreciated Jackson's note about the problems with the Oompa-Loompas in the early edition were treated!

Mr. Foster is a fantastic character who clearly cares about his students and tries his best to take care of their basic needs so that their learning is uninterrupted.The strong sense of community is made clear in the support that is offered at school and through the church. I was a bit surprised that the Browns weren't already involved in the church, but this is nicely explained.

Including real life Civil Rights figures might lead students to investigate the time period more thoroughly. Jackson is from a similar area in Mississippi and her personal experiences bring a fascinating, rich depth to Ellis Earl's life. I especially enjoyed the fact that while things were brutally hard for the Brown family, there was a strong sense of hope that life would improve.

The depiction of children in poverty in fiction has deep roots, from Mrs. Wiggs of the Cabbage Patch (Hega, 1901) to The Boxcar Chidlren (Warner, 1924) to The Five Little Peppers and How They Grew (Sidney, 1936), but it's somewhat unusual to see a contemporary book capture the details so well. Modern books also tend to take a grim view of events, but I loved Ellis Earl's resiliency and perseverance.This was a great historical fiction book that details a specific place and time in a vivid and interesting way. It is extremely interesting to see this depiction in contrast to the reboot of The Wonder Years, which is set in Alabama in 1968 but chronicles a Black, middle class family. Read this along with Wilkinson's 1974 Ludell as well as Jackson's Midnight Without a Moon (2016).
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