In this romantic road trip story perfect for fans of Sarah Dessen and Morgan Matson, a teen girl discovers the value of ordinary objects while learning to forgive her absent father. After Ali’s father passes away, he leaves his one and only prized possession—a 1968 Firebird convertible—to his daughter. But Ali doesn’t plan on keeping it. Not when it reminds her too much of all her father’s unfulfilled promises. So when she finds a buyer three hundred miles up the Pacific coast willing to pay enough money for the car to save her childhood home, Ali can’t wait to get going. Except Ali has no idea how to drive a stick shift. But guess who does? Ali’s ex-boyfriend, Nico. And Nico has other plans. He persuades Ali that instead of selling the car, they should “trade up” the items they collect on their trip to eventually reach the monetary amount Ali needs. Agreeing with Nico’s crazy plan, Ali sets off on a unique adventure that is unlike anything she ever could have expected. And it’s through Ali’s travels, through the strangers she meets and the things that they value—and why they value them—that Ali eventually comes to understand her father and how his life may not have been as easy and carefree as she previously thought. Because just like the seemingly insignificant objects Ali collects, not everything is exactly as it appears.
The Geography of Lost ThingsFeatured
First of all, I love the packaging for this book. The cover image, the font choices, and even the color scheme are all really eye-catching and communicate important information. Before even reading anything about the story, I can tell there will be a road trip, a romance, and an inward journey. In other words, the packaging tells me what I need to know and sells me immediately.
Luckily, the premise of this book matches expectations. Two exes stuck in a car together? It’s the ultimate “one bed, two people trope” expanded to an entire novel format. From the beginning, it’s clear that Nico and Ali will end up back together, and for the most part, I like how Brody gets us there. However, for all the buildup and waiting we have to do as readers, I wanted a bigger reconciliation in the end. I have a sense that Brody simmered their relationship to make the book more about Ali and her father, Jackson. However, while Jackson’s storyline fueled Ali motives, I found the flashbacks a bit too frequent, which slowed the pacing down for me.
The writing is also a little too polished, almost like Brody ticked off all the boxes for what makes a great novel, but the different elements didn’t fully congeal. For instance, Ali has a lot of quirky traits that set her apart from other characters. She lives and dies by online personality quizzes, she hates liars and lying, she is very knowledgeable about animals and wants to be a vet, she’s the exact opposite of a hoarder, and she thinks black coffee is boring. All of these distinctions make her very specific, but, for me, they were distracting. Though I love dynamic characters, I wish Brody picked one or two traits and allowed them to shine through the entire story instead of ping-ponging back and forth.
Overall, THE GEOGRAPHY OF LOST THINGS is a fresh voice in the YA contemporary world. The story is both nostalgic and new, cliché and original. It offers timeless lessons that made me look at my own life. Set during the summer, THE GEOGRAPHY OF LOST THINGS is the perfect book to escape this winter’s cold.