Review Detail

A simple but powerful story of courage and loss
Overall rating 
 
4.0
Plot/Characters/Writing Style 
 
4.0
Illustrations/Photos (if applicable) 
 
0.0
Reader reviewed by Alan Gratz

Sadako is a rambunctious, energetic Japanese girl growing up in Hiroshima in the 1950s. Only a baby when the city was devastated by one of two atomic bombs dropped by the United States Air Force at the close of World War II, all the anniversary of "The Thunderbolt" means to her is a day off from school to enjoy the peace festival's shops and concession stands with her friends. But soon the fallout from the attack catches up to Sadako vividly and painfully, as she learns that even the children of those who survived Hiroshima can become victims.

First published in 1977, Sadako and the Thousand Paper Cranes is the fictionalized true story of an eleven-year-old Japanese girl with fallout-induced leukemia who became famous throughout Japan for her campaign to fold one thousand origami (folded paper) cranes in a quest to seek the favor of the gods and become healthy again. Her inspirational story was immortalized in a collection of her letters and journal entries that was published in Japan, and today a statue commemorating her life--and her paper cranes--stands in Hiroshima Peace Park, a vivid reminder of the awful consequences of war.

At just 80 pages--17 of which are given over at the end to an epilogue explaining how the author came to write the story, and how to fold origami paper cranes--Sadako is a brisk read, but certainly not a light one. Told in simple and straightforward, yet often lyrical, prose, Coerr pulls no punches in her depictions of Sadako's and other children's illnesses. But while the book is certainly gut-wrenching, it is by no means so graphic that it cannot be read by (or to) children younger than its recommended eight and up age level. (I am, in fact, reading it to my seven-year-old daughter in preparation for our upcoming trip to Japan.) This is one of those rare books where "eight and up" can really mean any age, up or down, not just "eight to twelve."

More than thirty years on, Sadako and the Thousand Paper Cranes is still one of the most powerful, accessible, and important stories we have about the catastrophic effects of nuclear war.


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