Stacey Jay made Romeo and Juliet palatable characters by completely changing things up. In this version, it turns out Romeo is totally willing to turn homicidal on Juliet in exchange for eternal life, given him by forces of evil known as the Mercenaries. Juliet, thanks to last minute intervention from Nurse, gets eternal life as well, signing on to work for the Ambassadors, the forces of light. I acknowledge that this all sounds patently ridiculous, but it's fantasy, so just take my word for it that, by and large, this paranormal plot line worked quite well for me.
Most of the narration (minus three chapters/intermezzos) is Juliet's first person perspective. Her work for the Ambassadors entails taking over another person's body, chosen seemingly at random. From this vantage point, her goal is to find a pair of lovers and make sure they reach true love, rather than one of them being recruited into the evil/eternal life scheme as happened with Romeo. While in another person's body, Juliet must avoid changing their life over much, but does try to improve things, which reminded me rather strongly of Mercy by Rebecca Lim.
This time, Juliet manifests in the body of a deeply depressed, lonely girl named April. Unfortunately, Romeo, who takes over dead bodies, restoring them to life and not the zombie-looking kind, appears in the same car with her, since April and Dylan had just been in a major car crash. Basically, Dylan had a bet that he could sleep with April, she found out, he tried to force her, and she crashed the car, killing him. In other words, Dylan sucks. Guess what, though! Romeo's WAY creepier. Call me morbid, but I got serious enjoyment out of watching the 'true lovers' end up such a hot mess.
Jay's writing and concept were phenomenal, and I was never bored. However, I did have some problems with the book. The main one is Juliet's gullibility. She's depicted as this strong, determined character, who has wised up from all of the horrible things Romeo has put her through. Though she supposedly works in pursuit of true love, she doesn't really believe in it anymore, and really just hopes for a chance to revenge herself on Romeo. All of that = fantastic.
Unfortunately, Juliet, it seems, hasn't learned much of anything. She immediately instaloves with someone else, Ben, the guy who saves her from Romeo that first night. Good lord, girl! Didn't you learn the first time that it doesn't hurt to take some time and not rush into things? It's hard to believe she's got her emotional walls up, if she instaloves so easily. She doesn't even fight it very hard. Heck, the true lovers she's sent to help fight their love more than she does, for all her wordy protestations.
I just wish she had been that way in all of her life, been a bit more questioning of love the second time around. That's just not who she is, though, I guess. On an unrelated note, can we stop with the whole "I'm writing a retelling of this play set in high school, so I'll totally have the school perform this play!" thing. Yes, that was once a clever gambit, but that ship has sailed, dear authors. It has been done enough; try something new. Note: SHS doesn't actually perform Romeo and Juliet; they perform West Side Story, which is almost worse.
The ending, too, seemed a bit overly convenient. I didn't really feel like everyone could emerge from this tale quite so happily. Of course, there's always the next book, which might be slightly different. I am eminently curious to see what angle Jay takes in the next book.