It's Black History Month: Read These Back-listed Titles to support Black Writer's Contributions to Literature
The next day, Tyler has gone missing, and it's up to Marvin to find him. But when Tyler is found dead, a video leaked online tells an even more chilling story: Tyler has been shot and killed by a police officer. Terrified as his mother unravels and mourning a brother who is now a hashtag, Marvin must learn what justice and freedom really mean.
Monday Charles is missing, and only Claudia seems to notice. Claudia and Monday have always been inseparable—more sisters than friends. So when Monday doesn’t turn up for the first day of school, Claudia’s worried.
When she doesn’t show for the second day, or second week, Claudia knows that something is wrong. Monday wouldn’t just leave her to endure tests and bullies alone. Not after last year’s rumors and not with her grades on the line. Now Claudia needs her best—and only—friend more than ever. But Monday’s mother refuses to give Claudia a straight answer, and Monday’s sister April is even less help.
As Claudia digs deeper into her friend’s disappearance, she discovers that no one seems to remember the last time they saw Monday. How can a teenage girl just vanish without anyone noticing that she’s gone?
In the next striking and vibrant standalone novel by the critically acclaimed author of Allegedly and Monday’s Not Coming, Tiffany D. Jackson tells the story of three Brooklyn teens who plot to turn their murdered friend into a major rap star by pretending he is still alive. Biggie Smalls was right. Things done changed. But that doesn’t mean that Quadir and Jarrell are okay letting their best friend Steph’s tracks lie forgotten in his bedroom after he’s killed—not when his beats could turn any Bed-Stuy corner into a celebration, not after years of having each other’s backs. Enlisting the help of Steph’s younger sister, Jasmine, Quadir and Jarrell come up with a plan to promote Steph’s music under a new rap name: The Architect. Soon, everyone in Brooklyn is dancing to Steph’s voice. But then his mixtape catches the attention of a hotheaded music rep and—with just hours on the clock—the trio must race to prove Steph’s talent from beyond the grave. Now, as the pressure—and danger—of keeping their secret grows, Quadir, Jarrell, and Jasmine are forced to confront the truth about what happened to Steph. Only each has something to hide. And with everything riding on Steph’s fame, together they need to decide what they stand for before they lose everything they’ve worked so hard to hold on to—including each other.
But then Kate dies. And their story should end there.
Yet Kate’s death sends Jack back to the beginning, the moment they first meet, and Kate’s there again. Healthy, happy, and charming as ever. Jack isn’t sure if he’s losing his mind.
Still, if he has a chance to prevent Kate’s death, he’ll take it. Even if that means believing in time travel. However, Jack will learn that his actions are not without consequences. And when one choice turns deadly for someone else close to him, he has to figure out what he’s willing to do to save the people he loves.
Jamila Phillips and Tai Johnson have been inseparable since they were toddlers, having grown up across the street from each other in Pirates Cove, a low-income housing project. As summer comes to an end, Tai can’t wait for Mila to return from spending a month with her aunt in the suburbs. But both girls are grappling with secrets, and when Mila returns she’s more focused on her upcoming dance auditions than hanging out with Tai.
Paula Chase explores complex issues that affect many young teens, and So Done offers a powerful message about speaking up. Full of ballet, basketball, family, and daily life in Pirates Cove, this memorable novel is for fans of Ali Benjamin’s The Thing About Jellyfish and Jason Reynolds’s Ghost.
A cannon. A strap.
A piece. A biscuit.
A burner. A heater.
A chopper. A gat.
Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.
And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.
Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father’s actions.
Once again Jewell Parker Rhodes deftly weaves historical and socio-political layers into a gripping and poignant story about how children and families face the complexities of today’s world, and how one boy grows to understand American blackness in the aftermath of his own death.
Life in real-world Atlanta isn't always so simple, as Alice juggles an overprotective mom, a high-maintenance best friend, and a slipping GPA. Keeping the Nightmares at bay is turning into a full-time job. But when Alice's handsome and mysterious mentor is poisoned, she has to find the antidote by venturing deeper into Wonderland than she’s ever gone before. And she'll need to use everything she's learned in both worlds to keep from losing her head... literally.
Everyone in the ParSec Nation (DJ ParSec's local media base)--including the killer--is content to watch it play out, until Kya and Fuse discover a secret: Paris was on the verge of major deal that would've catapulted her to superstar status on a national level, leaving her old life (and old friends) behind. With the new info comes new motives. New suspects. And a fandom that shows its deadly side. As Kya and Fuse come closer to the twisted truth, the killer's no longer amused. But murdering Paris was simple enough, so getting rid of her nobody-friends shouldn't be an issue...
Zora Emerson is not here to play. She's enrolled in a prestigious summer program, and is ready to use what she's learning to change the world (or at least her corner of New Jersey, for now). Zora's not expecting to vibe with any of her super-privileged classmates. So she's shocked to find she's got chemistry with Owen Whittelsey, who is charming, funny, undeniably cute...and turns out to literally be a prince. As in, his parents are the king and queen of a small European country. What? Suddenly, Zora's summer is looking a lot more complicated -- especially when Owen asks her to be his date at his older brother's wedding. Can her feelings for Owen, not to mention her sense of self, survive the royal chaos? Debbie Rigaud brings sparkling humor and insight to this empowering romantic comedy that's all about ruling your own destiny.