Sometimes she remembers running, hunger, and isolation. But other times she remembers living with a German family, and attending big rallies where she was praised for her light hair and blue eyes. The puzzle pieces don't quite fit together, and Nadia is scared by what might be true. Could she have been raised by Nazis? Were they her real family? What part did she play in the war?
What Nadia finally discovers about her own history will shock her. But only when she understands the past can she truly face her future.
Inspired by startling true events, Marsha Forchuk Skrypuch delivers a gripping and poignant story of one girl's determination to uncover her truth.
After the Holocaust
Nadia and Marusia arrive in Canada after being in Displaced Persons camps in Europe. They are Ukrainian, and Nadia is supposed to refer to Marusia as her mother. They are met by Ivan, who has come ahead and is building a house for the family. There is a small Ukrainian population that is very helpful, and well as a kindly woman who teaches Nadia English before she starts school. Nadia knows that Marusia and Ivan love her, but also feels that they are not really her parents. School is a difficult adjustment; even though the teacher and most students are nice, there are some who call Nadia, with her blonde hair and European style, a Nazi. Eventually, she settles into a routine, makes a friend, Linda, and is increasingly bothered by visions of her past. These come in bits and pieces and are triggered by many different things, from a color or a smell to a school inspector giving her a piece of hard candy. Mikusia has not wanted to tell Nadia about her past, since she doesn't know the whole story and doesn't want to affect the memories, but assures Nadia that she is definitely Ukrainian, and that she is safe and loved in Canada. Eventually, Nadia remembers who she is and what happened to her during the war.
There's a tie in with Making Bombs for Hitler, and keen readers will put these pieces together.
Skrypuch is becoming the Carol Matas of Holocaust books, and one of the few writers to have books that discuss what happened afterwards, along with Matas' After the War, Whelan's After the Train. Readers who have already read plenty of tales set in Europe during this time period, like Spradlin's The Enemy Above, Nielsen's Resistance, Hesse's Girl in the Blue Coat and Stamper's What the Night Brings will find Nadia's story a compelling continuation of the horror of the Holocaust.