Books Kids Fiction Hades: Lord of the Dead (Olympians)

Hades: Lord of the Dead (Olympians) Featured

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5.0
 
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Publisher
Age Range
8+
Release Date
January 31, 2012
ISBN
978-1596434349
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Volume 4 of the highly acclaimed Olympians series!

Hades: Lord of the Dead tells the story of the great God of the Underworld and one of the most famous of all Greek myths: Hades’ abduction of Persephone and her mother’s revenge. Be prepared to see a new side of Persephone in this dynamic adaptation of the story of the creation of the seasons.

In Olympians, O’Connor draws from primary documents to reconstruct and retell classic Greek myths. But these stories aren’t sedate, scholarly works. They’re action-packed, fast-paced, high-drama adventures with monsters, romance, and not a few huge explosions. O’Connor’s vibrant, kinetic art brings ancient tales to undeniable life in a perfect fusion of super-hero aesthetics and ancient Greek mythology.

Editor reviews

HADES: LORD OF THE DEAD, the fourth in an ongoing series of graphic novels about the Olympians, is just as appealing as all the others have been. While the writer/artist includes plenty of information about both Hades, the god and Hades, his domain—the Underworld, information never gets in the way of a rip-roaring tale of abduction, romance, blight, fury, death and love. Love especially, both the love of a mother and daughter, and a more grown up love, the love Hades has for Kore, whom he will rename Persephone.

Really, this rendition of the myth is as much the story of Persephone (Proserpina) as it is the story of Hades. Perhaps even more so, but as George O’Connor points out in the Afterworld, who wants to read a book called Kore? What O’Connor has done is take the myth of Persephone and turned it into a coming of age story. Her enforced separation from her mother is what finally allows the girl, Kore, to become a woman, Persephone. In this version of the legend, she is not tricked into eating pomegranate seeds, and thus condemned to spend six months of twelve in Hades with her kidnapper. Rather, she chooses to eat them, not just accepting her new relationship with the god of Death, but embracing it.

The graphic-novel/comic book format really suits these Olympians, these larger-than-life figures. What are the gods, if not superheroes? Their epic struggles, expansive emotions, their violence and passion, all seem to find a clear expression in the artist’s capable hands.
Overall rating 
 
5.0
Plot/Characters/Writing Style 
 
5.0
Illustrations/Photos (if applicable) 
 
5.0

The Story of Hades and Persephone

HADES: LORD OF THE DEAD, the fourth in an ongoing series of graphic novels about the Olympians, is just as appealing as all the others have been. While the writer/artist includes plenty of information about both Hades, the god and Hades, his domain—the Underworld, information never gets in the way of a rip-roaring tale of abduction, romance, blight, fury, death and love. Love especially, both the love of a mother and daughter, and a more grown up love, the love Hades has for Kore, whom he will rename Persephone.

Really, this rendition of the myth is as much the story of Persephone (Proserpina) as it is the story of Hades. Perhaps even more so, but as George O’Connor points out in the Afterworld, who wants to read a book called Kore? What O’Connor has done is take the myth of Persephone and turned it into a coming of age story. Her enforced separation from her mother is what finally allows the girl, Kore, to become a woman, Persephone. In this version of the legend, she is not tricked into eating pomegranate seeds, and thus condemned to spend six months of twelve in Hades with her kidnapper. Rather, she chooses to eat them, not just accepting her new relationship with the god of Death, but embracing it.

The graphic-novel/comic book format really suits these Olympians, these larger-than-life figures. What are the gods, if not superheroes? Their epic struggles, expansive emotions, their violence and passion, all seem to find a clear expression in the artist’s capable hands.

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